Quotes:
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“A propaganda film like any other…. The audience would always weep at this moment regardless of whether they were watching the film or listening to our version of it” (Sijie, 39)
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“Phoenix mountain was so remote from civilization that most of the inhabitants had never had the opportunity of seeing a film, let alone visit a cinema. There had been a few occasions when Luo and I entertained the headman with stories of films we had seen, and he was eager to see more.” (18-19)
“A propaganda film like any other…. The audience would always weep at this moment regardless of whether they were watching the film or listening to our version of it” (Sijie, 39)
“Phoenix mountain was so remote from civilization that most of the inhabitants had never had the opportunity of seeing a film, let alone visit a cinema. There had been a few occasions when Luo and I entertained the headman with stories of films we had seen, and he was eager to see more.” (18-19)
This connects to the topic of intellectual liberty because the movies or plays were a sort of replacement for the books they had lost, even though they were still about Mao. But the fact it was spoken gave the people more liberty to change the stories. I wonder if the boys were to have tried telling a different story that they made up how people would react to it?
ReplyDeleteAlthough I do agree that there is a connection to intellectual liberty, the movies mostly are supposed to take away intellectual liberty and free thought from the people through the heavy propaganda. I believe it also connects to the Cultural Revolution as propaganda and pro-revolutionary media was one of the primary ways that the Communist party would try to keep control. Do you think there is an importance to the specific movies' plots in the story?
ReplyDeletea. Why do you think Mao had little influence over the villagers when peasants were his biggest supporters?
ReplyDeleteb. This definitely connects to the theme of intellectual liberty, however, I do think that it connects to the theme of hope. The movies give the poor farmers of China hope just as Mao gave them hope. When Mao promised them that Communism was good etc. they felt hopeful of a better future. These movies, which were basically propaganda, also instilled a false hope for a better future.