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Friday, October 5, 2018

Cinematic Experience

Quotes:

  1. “A propaganda film like any other…. The audience would always weep at this moment regardless of whether they were watching the film or listening to our version of it” (Sijie, 39)
  2. “Phoenix mountain was so remote from civilization that most of the inhabitants had never had the opportunity of seeing a film, let alone visit a cinema. There had been a few occasions when Luo and I entertained the headman with stories of films we had seen, and he was eager to see more.” (18-19)

Image:

Connection to Theme:


Sijie uses the symbol of movies to emphasize how narratives can influence and be formative in people’s lives, shaping their beliefs in the form of intellectual liberty. In the first quote, it talks about how movies were a form of propaganda. As a result, they intentionally had morals that were meant to be manipulative, making the audience feel a certain way. By making movies revolutionary, or by making them about Mao, the people would conform more to that narrative, until it became not just a movie, but a reality for them. The potency of the movie is such that, on a mass level, it can get people to follow whatever ideas are presented, often in the form of supporting the Cultural Revolution. People “would always weep” because the movie was engineered that way. Since many of the peasants were uneducated, and since they had never seen movies, they were not exposed to the narratives other people were. Consequently, they lived their own lives without the major influence of Mao. But through Luo and the narrator, they are exposed to new influences, more informative ones.

Connection to Book:

This idea of narratives influencing people's’ lives is shown through the clothes that the villagers wore. This occurred due to Ma telling the tailor about a story where the hero was a French sailor. The tailor was influenced by this story and began putting French designs similar to the story in the clothing he made. Thus, we can see how the story shaped the types of clothing that the tailor-made, and people began to wear new kinds of clothing. Considering the clothing had a lot of Western influence it limited Mao’s influence over the villagers.

3 comments:

  1. This connects to the topic of intellectual liberty because the movies or plays were a sort of replacement for the books they had lost, even though they were still about Mao. But the fact it was spoken gave the people more liberty to change the stories. I wonder if the boys were to have tried telling a different story that they made up how people would react to it?

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  2. Although I do agree that there is a connection to intellectual liberty, the movies mostly are supposed to take away intellectual liberty and free thought from the people through the heavy propaganda. I believe it also connects to the Cultural Revolution as propaganda and pro-revolutionary media was one of the primary ways that the Communist party would try to keep control. Do you think there is an importance to the specific movies' plots in the story?

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  3. a. Why do you think Mao had little influence over the villagers when peasants were his biggest supporters?
    b. This definitely connects to the theme of intellectual liberty, however, I do think that it connects to the theme of hope. The movies give the poor farmers of China hope just as Mao gave them hope. When Mao promised them that Communism was good etc. they felt hopeful of a better future. These movies, which were basically propaganda, also instilled a false hope for a better future.

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